Sacred vs. Profane

The History of the Bandoneon
Bandoneon + piano · 65–70 minutes · no intermission
String quartet version also available
Conceived in 19th-century Germany for devotional music, the bandoneon later found a new musical life in Buenos Aires, where it became one of the defining voices of tango.
Sacred vs. Profane traces that journey through Bach, Franck, Gardel, Saluzzi, Piazzolla, and contemporary music.
Featured repertoire: Bach, Goldberg Variations · Franck, Prélude, Choral et Variation · Gardel, El día que me quieras · Piazzolla, Muerte del Ángel and Milonga del Ángel · Labro, Aria Tango







