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Julien Labro Expresses Love for Jazz Through the Accordion

  • June 20, 2015December 31, 2018
  • by julien

By J.C. Lee

When Julien Labro was a young boy in Rodez, France, he never thought his accordion would take him around the world.11144481_10101873470427298_4102348912913893915_o

But in the last year, the 34-year-old’s music has taken him throughout the Middle East, to Kuwait and Qatar, from China to Brazil and more. And this weekend, Labro will travel to northern Indiana to play his accordion as part of the Hot Club of Detroit at the Elkhart Jazz Festival.

The journey all started with a television show. The accordion is a common instrument in traditional…read the rest here

 

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Review: Labro/Vieaux @ The Cleveland International Classical Guitar Festival

  • June 21, 2014October 14, 2014
  • by julien

By Mike Telin
June 3, 2014

The evolution of classical guitar music continued at 7:30 when guitarist Jason Vieaux was joined by his frequent collaborator Julien Labro on bandoneón, accordion and accordina. One always hopes the final concert of a festival will be something special that sends audiences home in anticipation of the next edition and Vieaux and Labro did not disappoint.

Given the two began their musical partnership with their 2011 celebrated recording on the Azica label titled The Music of Astor Piazzolla, it was fitting for them to begin their program with a work by the father of Tango Nuevo. Composed in 1986, Histore du Tango consists of four movements that describe the evolution of Tango. Vieaux and Labro performed the first, “Bordel 1900” and the fourth, “Concert d’Aujourd’hui”.

Originally scored for flute and guitar, the piece is often performed in various instrumental combinations (guitar and bandoneón for this performance) Now for my dirty little secret: I have always hated this piece. That was, until last Sunday night. In the hands of two accomplished musicians who are well-versed in both classical and jazz, Vieaux and Labro’s performance captured the essence of Tango Nuevo. As they would throughout the evening the dynamic duo performed from one musical mind – all unison technical passages, no matter how fast, were perfectly in sync. And they were obviously having a lot of fun during some extended improvisations. Keep reading the full review here

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Review: The Hot Club of Detroit @ the Van…

  • February 10, 2013September 24, 2013
  • by julien

Review by J Hunter
Photographs by Rudy Lu

Some music just needs to be seen in a small space. For instance, even though Troy Savings Bank Music Hall was acoustically perfect for Hot Club of San Francisco, both the band and the music seemed “too small for the room” during their appearance last year. In comparison, Hot Club of Detroit’s show at the Van Dyck Restaurant & Lounge last Friday night (February 1) was not just perfectly wonderful – it was also perfectly scaled. Maybe the Van Dyck’s concert space is a loft instead of a basement, and it may also be a non-smoking environment, but a band and its sound has never seemed more at home.

Here is the full review

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Labro featured on Grammy-award winning vocalist Cassandra Wilson’s Another…

  • June 25, 2012June 25, 2012
  • by julien

Genre defying vocalist Cassandra Wilson’s latest album, Another Country, represents a strong departure from her previous material focusing largely on guitar-oriented sounds. To foster this new musical direction she again collaborated with jazz guitarist/producer Fabrizio Sotti, with whom she worked with on 2002’s Glamoured.

The two started from scratch in Wilson’s New Orleans home studio composing arrangements and an entire album’s worth of material by combining her lyrics with Sotti’s guitar-centric instrumentation. Sotti says “She is a total and complete musician/artist not just an outstanding voice/instrument.” Wilson and Sotti moved the sessions to Florence, Italy where they sought to keep the recordings spare by working with a minimalist band. The group includes Mino Cinelu on percussion, accordion master Julien Labro, Italian bass player Nicola Sorato and African master percussionist Lekan Babalola which rounded out the album’s sound.

Continue reading and buy here

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Review of PIAZZOLLA CD in Cleveland Plain Dealer

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The Music of Astor Piazzolla
Jason Vieaux, guitar; Julien Labro, bandoneon
Azica Records

Cleveland guitarist Jason Vieaux adds to his list of stellar recordings with this alluring program of works by Argentina’s master of the tango. The music seduces the listener as Vieaux and bandoneon player Julien Labro weave sinuous lines in Piazzolla’s “Four Seasons” and “Hommage a Liege” with A Far Cry, the terrific Boston-based chamber orchestra, and on their own in “History of the Tango.” The irresistible performances and crystal-clear sound — from Cleveland-based Azica Records — make this a don’t-miss disc. Grade: A — Donald Rosenberg, Plain Dealer Reporter

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