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Review: Labro/Vieaux @ The Cleveland International Classical Guitar Festival

  • June 21, 2014October 14, 2014
  • by julien

By Mike Telin
June 3, 2014

The evolution of classical guitar music continued at 7:30 when guitarist Jason Vieaux was joined by his frequent collaborator Julien Labro on bandoneón, accordion and accordina. One always hopes the final concert of a festival will be something special that sends audiences home in anticipation of the next edition and Vieaux and Labro did not disappoint.

Given the two began their musical partnership with their 2011 celebrated recording on the Azica label titled The Music of Astor Piazzolla, it was fitting for them to begin their program with a work by the father of Tango Nuevo. Composed in 1986, Histore du Tango consists of four movements that describe the evolution of Tango. Vieaux and Labro performed the first, “Bordel 1900” and the fourth, “Concert d’Aujourd’hui”.

Originally scored for flute and guitar, the piece is often performed in various instrumental combinations (guitar and bandoneón for this performance) Now for my dirty little secret: I have always hated this piece. That was, until last Sunday night. In the hands of two accomplished musicians who are well-versed in both classical and jazz, Vieaux and Labro’s performance captured the essence of Tango Nuevo. As they would throughout the evening the dynamic duo performed from one musical mind – all unison technical passages, no matter how fast, were perfectly in sync. And they were obviously having a lot of fun during some extended improvisations. Keep reading the full review here

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New Arrangement of Oblivion for Curtis on Tour

  • March 15, 2013September 24, 2013
  • by julien

Watch the beautiful performance here

Nadir Khashimov, violin
Jason Vieaux, guitar
John-Henry Crawford, cello
Performed on Sunday, January 27, 2013
Gould Rehearsal Hall, Curtis Institute of Music, Philadelphia

 

Throughout his career, Argentine composer and bandoneón virtuoso Ástor Piazzolla redefined the traditional tango with his new style of composition known as nuevo tango, which incorporate elements of classical and jazz. Among his prolific output, Oblivion remains one of his most popular works. Composed in 1982 for chamber ensemble, the piece has seen numerous arrangements and transcriptions over the years.  In this arrangement for guitar, violin, and cello by Julien Labro, an already hauntingly beautiful piece is made even more intimate.

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Recent Review from the Boston Musical Intelligencer

  • October 21, 2012October 21, 2012
  • by julien

Concert Review: Praise for Fresh Ways with Vieaux and Labro

by 

Rounds of praise are due a brand new duo that made its Boston debut last night at The Roxbury Latin School. Guitarist Jason Vieaux and accordionist Julien Labro each revealed remarkable levels of individual artistry, and the chemistry between them openly and fully communicated. These along with other elements conspired to bring about that ideal situation where we find ourselves completely engaged, where we find ourselves not just being shown the way, but discover ourselves being a very part of learning along the way. Vieaux and Labro are Artists-in-Residence at Roxbury Latin.

Both Vieaux and Labro refreshed the often staid concert stage with uncommon graciousness, the kind of which comes from an unassuming nature both rare and welcome. Their amply appreciating their listeners as much as their making music together sets the duo’s mien apart from today’s common classical practices of performance. They love what they do and the audience finds itself very much a part of that joy. Labro’s way of putting it last night: “we are thankful to be playing before a small and intimate crowd who knows how to listen.”

Read the entire review here

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The Music of Astor Piazzolla CD, a great gift…

  • December 14, 2011December 14, 2011
  • by julien

By Mike Telin

With the holidays upon us, what better musical gift to give than a recording by local musicians! Here are some CD’s we have received in the past few months that may give you gifting ideas. CD’s previewed or reviewed by ClevelandClassical.com appear at the end.

CD previewed on ClevelandClassical.com on November 29

Everything about this album is great: the arrangements, the performances, and the recording quality. Once again Jason Vieaux proves himself to be a masterful musician – Julien Labro’s bandoneon playing would surly make Pizzolla smile – A Far Cry Chamber Orchestra are superb collaborators who easily negotiate the tricky rhythms and special tango techniques. While The Four Seasons of Buenos Aires and Histoire du Tango have become standard concert repertoire, the Double Concerto for Bandoneón, Guitar, & String Orchestra is a spectacular composition that for many reasons is not heard often enough: the performance by Vieaux and Labro is outstanding and alone worth the cost of admission. Gail Wein’s extremely well written liner notes provide valuable historical context.

See other CDs here

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Review of PIAZZOLLA CD in Cleveland Plain Dealer

VIEAUX.JPG

The Music of Astor Piazzolla
Jason Vieaux, guitar; Julien Labro, bandoneon
Azica Records

Cleveland guitarist Jason Vieaux adds to his list of stellar recordings with this alluring program of works by Argentina’s master of the tango. The music seduces the listener as Vieaux and bandoneon player Julien Labro weave sinuous lines in Piazzolla’s “Four Seasons” and “Hommage a Liege” with A Far Cry, the terrific Boston-based chamber orchestra, and on their own in “History of the Tango.” The irresistible performances and crystal-clear sound — from Cleveland-based Azica Records — make this a don’t-miss disc. Grade: A — Donald Rosenberg, Plain Dealer Reporter

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New CD “Piazzolla”!!

  • October 6, 2011November 23, 2011
  • by julien

 

 

 

 

 

 

 

 

Internationally acclaimed guitarist Jason Vieaux teams up with Bandoneon virtuoso Julien Labro & A Far Cry chamber orchestra in these new arrangements of Astor Piazzolla masterpieces. Jason is well known for his Azica solo releases including J.S. Bach Vol. 1 and Images of Metheny (Jason’s arrangements of the music of Pat Metheny). Julien Labro has shown his versatility with jazz guitarist Frank Vignola on 100 Years of Django and the acclaimed jazz band Hot Club of Detroit. A Far Cry chamber orchestra, based in Boston, performs frequently in the greater Boston area as well as throughout the United States.

Listen to the MP3 excerpt from Verano Porteńo from the “Four Seasons of Buenos Aires” by Astor  Piazzolla, arr. Julien Labro

Verano Porteno (MP3 excerpt from “Piazzolla”)

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