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Labro Featured in Chamber Music America Magazine ‘Art of…

By Paul Brady

After some serendipitous beginning, a forward-thinking string quartet and a composer/accordionist with deep jazz cred are collaborating on new repertoire for their hybrid ensemble.

Lake Michigan’s South Shore is dotted with steel mills and meat-packing plants, rail yard and highways – their paths all leading to Chicago. That quick-and-easy thoroughfare along the country’s rust belt made it convenient for composer/accordionist Julien Labro to travel to Chicago from Detroit for years of gigs before settling in Toronto. Often invited to perform with internationally known Chicago musicians, such as the Brazilian guitarist Paulinho Garcia, or the Polish jazz vocalist Grazyna Auguscik, Labro logged the hours in Chicago; and the city’s limelit jazz scene helped establish the French-born reed-bellower as this country’s A-list start of the often misunderstood instrument.

FULL ARTICLE from  the Chamber Music America magazine

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Review: ‘Pushing the South American Envelope’

By Bruce Hodges

Inexplicably making their New York debut—only because this cracking, Chicago-based ensemble has been in existence since 2010—the Spektral Quartet packed SubCulture for a concert celebrating its newest recording, From This Point Forward (on Azica Records). Adding to the evening’s many delights was accordionist Julien Labro (who also arrangedthe works on the album). But like many virtuosos, Labro also plays related instruments: the bandoneón and the accordina—the latter similar to a melodica, but with buttons replacing the keyboard. Continue to read the full review here

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