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Julien Labro Performance inquiries
Julien Labro

Piazzolla for Orchestra

Astor Piazzolla was a bandoneonist, and Julien Labro performs his music with orchestras on the bandoneon, including Aconcagua, which Piazzolla wrote specifically for the bandoneon, not the accordion.

Aconcagua

Bandoneon Concerto, 1979

Julien Labro playing bandoneon with conductor Adam Boyles and the Hartford Symphony Orchestra
Julien Labro, Adam Boyles and the Hartford Symphony Orchestra

A solo bandoneon.
A full concerto.

Piazzolla’s approximately 24-minute concerto places the bandoneon at the center of three movements.

  1. I.Allegro marcato
  2. II.Moderato
  3. III.Presto

Aconcagua was written for the bandoneon, not the accordion, and Julien Labro performs it on bandoneon with orchestras.

Julien Labro performs Aconcagua on bandoneon with orchestra.

Excerpt

Watch an excerpt from Aconcagua, I. Allegro marcato, on YouTube.

Instrumentation
Solo bandoneon with strings, piano, harp, timpani, and percussion.

Confirm the current edition, exact forces, and rental materials with Julien’s team.

Explore Aconcagua
Explore accordion & bandoneon concertos for orchestra

The Four Seasons
of Buenos Aires

Three versions for your ensemble

Julien Labro brings Piazzolla’s Four Seasons of Buenos Aires (Cuatro Estaciones Porteñas) into the concert hall with the bandoneon at the center, in three versions: solo bandoneon with strings, full orchestra, or guitar, bandoneon and strings.

Piazzolla wrote the four pieces separately between 1965 and 1970 for his quintet: bandoneon, violin, piano, electric guitar, and double bass. Together, they evoke Buenos Aires through the rhythms, colors, and atmosphere of the city itself.

The four seasons

  1. Verano Porteño Summer
  2. Otoño Porteño Autumn
  3. Invierno Porteño Winter
  4. Primavera Porteña Spring
Explore the Four Seasons program

Choose your version

Bandoneon & string orchestra
Piazzolla's bandoneon version, well suited to chamber and string orchestras.

Bandoneon & full orchestra
The Four Seasons at full symphonic scale, with the bandoneon out front.

Guitar, bandoneon & strings
Julien's arrangement for guitar, bandoneon and strings, recorded with Jason Vieaux and A Far Cry (Azica Records, 2011).

Approximately 30 minutes in all versions.

The Music of Astor Piazzolla album cover

The Music of
Astor Piazzolla

Julien Labro, Jason Vieaux & A Far Cry
Azica Records · 2011

Listen to the recording

Choose the right score.

Julien's versions are distinct from Leonid Desyatnikov's 1996 to 1998 arrangement for solo violin and strings. Tell us your ensemble and we'll confirm the right version and materials.

Explore Seasons of Conversation
Julien Labro with New World Symphony players for a performance of Piazzolla's Oblivion
Julien Labro with New World Symphony players · Piazzolla’s Oblivion, 2018

Tango Meets
Symphony

Piazzolla at full orchestral scale.

A full-orchestra program with Julien Labro on bandoneon can bring together Aconcagua, Adiós Nonino and Libertango, alongside music by Carlos Gardel and Lalo Schifrin.

Repertoire and instrumentation are confirmed for each engagement.

Explore the full program

Julien Labro and Piazzolla

Julien Labro has performed Piazzolla's Aconcagua with the Hartford Symphony Orchestra and the Pensacola Symphony Orchestra, and Four Seasons of Buenos Aires with the New World Symphony, the Hartford Symphony Orchestra, and the Harrisburg Symphony Orchestra. His Piazzolla repertoire with orchestra also includes Adiós Nonino and Five Tango Sensations.

Piazzolla programs at a glance.

Program Solo instrument Format Duration
Aconcagua Bandoneon Solo bandoneon and orchestra Approximately 24 minutes
Four Seasons of Buenos Aires Bandoneon Bandoneon & strings, bandoneon & full orchestra, or guitar, bandoneon & strings Approximately 30 minutes
Tango Meets Symphony Bandoneon Full-orchestra program Confirmed per engagement

Which Piazzolla
for your orchestra?

Bring a work, an ensemble, or an idea. Julien’s team can help determine the right format, repertoire, and performing materials for your engagement.

Plan a Piazzolla performance

Include your venue and likely dates. If you’re still exploring, an approximate orchestra size and a provisional date are enough to start the conversation.